Human Expressions
Presented by Maryland Federation of Art
Dates: April 15, 2025 - May 30, 2025Sobre
Re-inventing the Portrait through Color, Form, and Composition
The portrait has long been a powerful medium through which artists explore identity, emotion, and the essence of the human condition. Human Expressions invites artists to reimagine and push the boundaries of this traditional genre, encouraging the exploration of new ways to convey the complexities of human experience. This exhibition seeks works that capture the depth of human expression through innovative approaches to portraiture, focusing on the transformative use of color, form, and composition.
We are looking for artists who are eager to break away from conventional representations of the human figure and create bold, evocative portraits that explore psychological, emotional, and conceptual facets of human identity. Whether through abstracted forms, unconventional color palettes, dynamic compositions, or mixed media, we encourage the use of any technique that can convey the intricacies of human expression in a compelling way. Any original 2D or 3D work that follows our exhibition guidelines will be considered. This includes works selected by the juror which will be exhibited in Maryland Federation of Art’s (MFA) first Human Expressions Exhibition through our Virtual Gallery from April 15 – May 31, 2025.
Juror: Samuel Dylan Ewing: Curator, Art Historian, and Researcher
Sam has over a decade of experience working in museums, higher education, and arts foundations. His notable curatorial credits include Waiting for Tear Gas (2022) and Photography and Memory (2019) at the Philadelphia Museum of Art. He is an award-winning educator with experience in classroom instruction and course management. His scholarship has been published in multiple peer-reviewed journals in addition to interviews and essays geared towards a variety of audiences. As a public speaker, Sam has delivered over two dozen professional presentations including invited lectures at universities and art institutions.
Sam’s scholarship strives to communicate the role visual culture plays in the creation of liberatory knowledge. His research takes seriously the lessons of solidarity embedded in works of art, from their moments of production to their modes of distribution, circulation, and reception. These lessons show how visual practices can bind communities together in our intersecting fights for a better world free from all forms of oppression.
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